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Friday, 22 June 2018

A Week in Pictures Middle East & Africa, June 22, 2018

I love the strong diagonal composition of Thaier al-Sudani’s picture, which seems to pivot around the light-coloured headdress of the man in the centre. As your eye moves to the top of the frame you are rewarded with a break in the strong line, al-Hakim leading the prayer. It’s not often I would like to see video from a scene that has been well photographed but I would love to see the left to right movement of the line of worshippers. Maybe it’s the wide-screen 16 x 9 proportions of the crop that puts this in my mind. 


Ammar al-Hakim, leader of the Hikma Current, leads prayers for the Muslim festival of Eid al-Fitr at his headquarters, in Baghdad, Iraq, June 16, 2018.    REUTERS/Thaier al-Sudani

Muhammad Hamad’s picture almost makes me feel breathless as it’s so busy. I love it that I feel I have to fight my way through a visual crowd of arms, hands, microphones and even the background wallpaper to finally get to the speaking PM al-Razzaz . Once there I feel that I am trapped in a small, almost claustrophobic space, immersed in a sea of wonderful colour and warmth.      


Journalists try to ask Jordan’s Prime Minister Omar al-Razzaz questions during his news conference in Amman, Jordan June 19, 2018.   REUTERS/Muhammad Hamed

There is a dream-like quality to Amir Cohen’s Eid al-Fitr holiday picture, thanks to a complex combination of elements that would normally send a picture to the spike. But the flare, over-exposure and back focus all work together with Amir’s great composition of figures. 


People enjoy themselves along the shore of the Mediterranean Sea during the Muslim holiday of Eid al-Fitr at a beach in Tel Aviv, Israel, June 17, 2018.   REUTERS/Amir Cohen

Ahmed Jadallah was given exclusive access to the Aramco driving school for women in Saudi Arabia, where hundreds of women are preparing for the historic day on June 24, when they will be allowed to drive in Saudi Arabia. It’s not an easy story to photograph. Ahmed’s simple picture of pupil and teacher discussing mirror position is essentially a detail picture; hands, eyes and profile of the women’s faces that for me tells the whole story. You can see the rest of the story here


Trainee driver Maria al-Farai (L) adjusts the mirror during a driving lesson with instructor Ahlam al-Somali at the Saudi Aramco Driving Centre in Dhahran, Saudi Arabia, June 6, 2018.   REUTERS/Ahmed Jadallah

The half-open door and the plastic sheeting seems to wrap around the scene of grief like a cold embrace as boys huddle together looking for warm comfort in Mohammed Salem’s powerful and distressing image. Their hands and arms seems to claw through the picture, the open mouths and faces wet with tears leave us in no doubt about the extent of their grief. I hear the cries and screams ringing in my ears. A very sad picture. 


Relatives of a Palestinian, who was killed at the Israel-Gaza border, react at a hospital in Gaza City June 18, 2018.   REUTERS/Mohammed Salem

I am encroaching on another patch but can’t resist including Christian Hartmann’s fun picture of Senegal fans at their game against Poland at the World Cup in Russia . These guys have taken a lot of time to coordinate not only what they look like but where they stand. Their efforts were rewarded with a 2-1 win. 


Senegal fans cheers during their World Cup match against Poland in Spartak Stadium, Moscow, Russia June 19, 2018.   REUTERS/Christian Hartmann  



Friday, 15 June 2018

A Week in Pictures Middle East & Africa, June 15, 2018

Eid Mubarak


Prior to the World Cup kick off in Russia I assigned photographers in the MEA region to shoot pictures of street football games. I specifically asked for images only of the goal or the celebration and then I wanted a quote from the goal scorer. We had many great pictures full of aspiration and fun. A tough choice for my favourite was shot by Youssef Boudlal. The sheer joy on the scorer’s face, the dejected defenders and the ball can be seen in the ‘net’. It could be the World Cup winner. See the full set of pictures here



Adnan, 11, celebrates scoring his goal in front of his house in the old streets of Casablanca, Morocco April 28, 2018. ‘Every time I score a goal I feel like I have just realised my dream of playing with my favourite team’ he said.  REUTERS/Youssef Boudlal
  
Also, hard to ignore Baz Ratner’s eye-catching prison football match pictures from Kenya. The orange is eye-catching, the stripes in the prison uniforms are eye-catching and the way Baz has composed these fighting elements around the chalked-up score board is just wonderful. A lucky break too as he catches the moment of the man on the left looking back into the frame drawing your eye from the dizziness of the oranges and stipes to the faint letters ‘RUSSIA v SAUDI ARABIA’



Kenyan prisoners watch a mock World Cup soccer match between Russia and Saudi Arabia as part of a month-long soccer tournament involving eight prison teams at the Kamiti Maximum prison, Kenya’s largest prison facility, Kenya June 14, 2018.   REUTERS/Baz Ratner


A slightly cheeky visual segue from World Cup football to Africa is Francis Kokoroko’s quirky portrait of a journalist who worked on a story about football-related corruption. Anas is obviously keen to hide his face but not his identity and this has led to a great opportunity to shoot this portrait. It works well as Francis has kept the background both clean but toned so nothing detracts you from the noise of the golden mask.


Undercover journalist Anas Aremeyaw Anas poses for a picture during an interview in Accra, Ghana June 11, 2018.  REUTERS/Francis Kokoroko 

It’s not often I will chose an image that actually has no people in it but Ahmed Jadallah’s sublime picture from the Aramco oilfields has such a surreal feeling to it I was drawn back to look at it again and again. I love the warm tones, the sweeping curve of the road and the harsh black lines of the telegraph poles cutting through the landscape. And then it struck me: ‘Paris, Texas’. I could hear Ry Cooder sound track  in my head and then remembered an exhibition of the Wim Wenders polaroids.  Read the exclusive story here



The highway towards the Natural Gas Liquids (NGL) facility is seen at Aramco’s Shaybah oilfield in the Empty Quarter, Saudi Arabia May 22, 2018.  REUTERS/Ahmed Jadallah

Tiksa Negeri’s perfectly centered cyclist provides the focal point that his confused picture of rubble needs. It draws you into the image and then allows your eye to wander to the decorated house on the left of the tree, then across to the leaning pole and then down to the satellite dish on the far-right hand side. Once you have finished visually rushing around this picture you come back to the stonework of the destroyed building to discover beautiful master craftsmanship. I hope it gets rebuilt.     



A boy rides a bicycle past houses damaged during the Ethiopia-Eritrea war between 1998 and 2000 in Badme, which was the centre of a territorial dispute between the countries and is currently occupied by Ethiopia June 8, 2018.   REUTERS/Tiksa Negeri  

When dealing with nudity on the wire we need to be extra careful. I have no doubt that the editors who moved Siphiwe Sibeko's perfectly timed image of a dancer at the South Africa v England rugby game looked not once, or twice but probably three times with at least two colleagues, making sure we'd get no complaint from our online subscribers before moving the image out.



A dancer preforms before the start of the South Africa v England international rugby Test Match at Ellis Park Stadium in Johannesburg, South Africa June 9, 2018.   REUTERS/Siphiwe Sibeko 


Friday, 8 June 2018

A Week in Pictures Middle East & Africa, June 8, 2018


Being hit with a tear gas canister is terrifying but being hit with a tear gas canister that embeds itself in your face must be truly awful. Ibraheem’s Abu Mustafa’s picture of a man with tear gas still pouring from the canister in his face is quite disturbing but something I just can’t stop looking at as I have never seen the like before. Ibraheem followed up with him and you can see the story here 


A wounded Palestinian demonstrator is hit in the face with a tear gas canister fired by Israeli troops during a protest marking al-Quds day (Jerusalem Day), at the Israeli-Gaza border in the southern Gaza strip June 8, 2018.   REUTERS/Ibraheem Abu Mustafa

Next week the world’s attention will be on Russia and the World Cup. As a preview to the football tournament, Wider Image have pulled together a global project on unusual places the game is played. Contributions from Africa were very strong but in choosing one I have to settle on Siphiwe Sibeko’s offering as my favourite. The light is beautiful and I just love those yellow trousers in the low sun at full stretch and the red ball. See the set of pictures from around the world here


A combination picture shows boys playing soccer and details of a football, a pitch and shoes, at a makeshift pitch in Soweto, South Africa, May 14, 2018.   REUTERS/Siphiwe Sibeko

I can’t help but smile when looking at Ammar Awad’s picture of a vendor grabbing a fish from the tank. Do you also think that the two fish slightly on the right are gasping, opened mouthed ‘phew lucky this time, not me!’ What I also love about this picture is the colour and tone. The warm orange/yellow colours of the arm in the water against the cool blue colours of the fish


A vendor holds a fish at a market in Amman, Jordan June 6, 2018.   REUTERS/Ammar Awad

There is no mistaking for even a second what the pull is for Mohamed Torokman’s picture: it’s the perfect shadow, the great lines in the picture and the shape of the man’s body climbing the rickety ladder. The shadow of the barbed wire snaking down from the top of the frame is an added bonus.


A Palestinian uses a ladder to climb over a section of the controversial Israeli barrier as he tries to make his way to attend Friday prayer of the Holy fasting month of Ramadan in Jerusalem’s Al-Aqsa mosque, near Ramallah in the occupied west bank June 8, 2018.  REUTERS/Mohamad Torokman

Wissam al-Okili’s picture is one that makes me want to scratch my head and wonder why the people in the picture are doing what they are doing. I just keep on looking and wondering, unable to pull myself away from this image. Eighteen people killed and over 90 injured in the blast and these young men are sitting on this half-buried car as if it’s garden furniture. Maybe it’s the contrast between the landscape of sheer devastation and the nonchalant relaxed manner of the men that gives this image its strength as you wonder ‘Wow! What happened here?’ If you want to know read on here


People gather at the site of an explosion in Baghdad’s Sadr City district, Iraq, June 7, 2018.    REUTERS/Wissam al-Okili

Jordan’s new Prime Minister Razzaz is being squeezed between the demands of the IMF trying to put the Jordan economy back on track with austerity measures and the demands of the people protesting on the streets because they can’t make ends meet. Muhammad Hamed’s picture seems to sum up all his problems in a single frame. 


Jordan’s designated new Prime Minister Omar al-Razzaz speaks on the phone after leaving parliament building in Amman, Jordan June 7, 2018.  REUTERS/Muhammad Hamed

 The newly repaired road cuts through the hills dotted with destroyed buildings from which a stream of vehicles seem to flow downhill. What catches my eye first in Omar Sanadiki’s picture is that it’s such a great shape. It also took me a while to realise what is a little strange: the traffic is moving in the same direction, towards the viewer on both sides of the road.  


Vehicles travel on the road between Homs and Hama after it was re-opened in Rastan, Syria June 6, 2018.   REUTERS/Omar Sanadiki











Friday, 25 May 2018

A Week in Pictures Middle East & Africa, May 25, 2018


There is no escaping the beauty of simple and strong composition of Amr Abdullah Dalsh’s picture. The tiny, silhouetted figures are dwarfed in front of the symmetrical structure, the strong light seems to dazzle, and makes me want to blink. It grabs you like a scene from an epic Spielberg film.


Egyptian Muslims perform evening prayers called ‘Tarawih’ inside Al Sultan Hassan mosque during the Muslim holy fasting month of Ramadan in the old Islamic area of Cairo, Egypt May 20, 2018. REUTERS/Amr Abdallah Dalsh 

I admit it is a slightly bizarre choice to include Siphiwe Sibeko’s picture of cabbages being farmed. But take a minute to really look. Although the cabbages are bagged up it at first appears that the man sitting on top of the cabbages is perilously high on his unstable seat, what could possible go wrong? Next, I love the complementary reds and greens that vie for attention as they drive your eye around this picture. You quickly end up looking at the sign. The designer started off boldly only to discover, probably around the letter ‘T’, that if they carried on as they’d started they would not be able to fit the word ‘property’ into the sign. Lastly, is that a G or an upside down 5? This picture is being used to illustrate the complex story of a legal test of the constitution on land expropriation which you can read here


Farm workers harvest cabbages at a farm in Eikenhof, near Johannesburg, South Africa, May 21, 2018.   REUTERS/Siphiwe Sibeko

Omar Sanadiki’s beautifully lit picture seems to deliver mixed messages. You feel the pleasant warmth of the sun on the man’s face as he poses for a picture showing the V for victory sign with his hand. But his face is expressionless, cold, his mouth and eyes say nothing, and his hand is dirty with ash and grime, as are all his clothes. He sits in an environment of total destruction. Although we can never be certain what he is thinking I can guess that it is not thoughts of triumph.  


A man gestures as he sits on the rubble of damaged buildings in al-Hajar al-Aswad, Syria May 21, 2018.   REUTERS/Omar Sanadiki

Omar Sanadiki’s picture of people moving through the rubble of destroyed buildings is not so different from Amr’s picture of the faithful at the mosque, at least in its visual structure. People are dwarfed in a landscape, and even though one image is taken at night and the other by day, the colours are similar. If you rotate one of the images through 180 degrees you will find the same the strong compositional U shape. All that aside, Omar’s image is one of relentless destruction, the figures leading you from the foreground to as far away as the eye can see. More pictures here .


Soldiers walk past damaged buildings in Yarmouk Palestinian camp in Damascus, Syria May 22, 2018.   REUTERS/Omar Sanadiki

I am amazed at the order of Khaled Abdullah’s zigzag picture, not only in terms of its visual composition, but by the order of the people waiting in line for food handouts. They must be hungry, hot, a little frightened and no doubt tired. I have also chosen a second image from the same scene, as I was struck how this large line of people made such an impact on the landscape, and that so many are in need of help. The order, in both senses in Khaled’s powerful pictures, highlights to me the scale of the problem these people are facing. 


Women and girls queue outside a charity food distribution centre to get the iftar meal during the holy month of Ramadan in Sanaa, Yemen, May 22, 2018.   REUTERS/Khaled Abdullah


Women and girls queue outside a charity food distribution centre to get the iftar meal during the holy month of Ramadan in Sanaa, Yemen, May 22, 2018.   REUTERS/Khaled Abdullah

The question that pops into my mind when looking at Essam al-Sudani’s picture is how can anything actually live in these conditions and why, as an investor, would you bet money on its survival? On the face of it nothing could grow. A yellow sandstorm as far as the eye can see is only punctuated by wind battered saplings as if in a scene plucked from a post-apocalyptic science fiction film. Maybe this is why I am not a successful investor?


Palm trees belonging to Kuwaiti investor Abdul-Aziz al-Babtain are seen near the port city of Basra, Iraq May 11, 2018.   REUTERS/Essam al-Sudani

Amr Abdullah Dalsh’s picture is, it must be said, a bit of a cliché, but one I kept coming back to. It’s fun, and it has caaptured a good moment. I do wish there was no water across the boy’s face, but I do like his scrunched up features and the ‘crown’ of water. So here it is, I hope you enjoy a quiet smile, like me.


An Egyptian boy jumps into the water to cool off in hot and humid weather during the holy fasting month of Ramadan in Cairo, Egypt May 23, 2018.   REUTERS/Amr Abdullah Dalsh










Friday, 18 May 2018

A Week in Pictures Middle East & Africa May 18, 2018

It was not easy to pick a single image from the clashes on the Israel-Gaza border but Ibraheem Abu Mustafa’s image is breathtakingly powerful. Figures running from the black smoke, flames, live fire and incoming tear gas canisters combine all the elements of the day. The only real colour in a black and dark picture is that of the Palestinian flag. You can see Ibraheem’s personal account of how he took his picture here


Palestinian demonstrators run for cover from Israeli fire and tear gas during a protest against U.S embassy move to Jerusalem and ahead of the 70th anniversary of Nakba, at the Israel-Gaza border in the southern Gaza strip May 14, 2018.   REUTERS/Ibraheem Abu Mustafa 

Surrounded in black shadows, the face of a dead child is gently touched by a relative at her funeral. The light seems to be borrowed from a high renaissance painting. Mohammed Salem’s image is as powerful as it is sad. To me the silence around the scene is deafening. A complete contrast from the smoke, fire, noise, anger and bloodshed that filled images from the previous day. I am saddened by this but the debate surrounding this death will rage on. 


A relative mourns as she carries the body of eight-month-old Palestinian infant Laila al-Ghandour, who his family claim died after inhaling tear gas during a protest against U.S embassy move to Jerusalem at the Israel-Gaza border during her funeral in Gaza May 15, 2018.   REUTERS/Mohammed Salem

Thaier Al-Sudani’s colourful picture of a woman displaying her ink-stained finger after voting is a wonderful mix of bold colour, shape and line. What is most attractive about this image is that even though it has all the colours of the rainbow, your eye is drawn straight to the woman’s face and hand, framed in the solid blacks. Once you have looked at her face and inky finger, your eye can move on to enjoy the colours.


An Iraqi woman shows her ink stained finger after casting her vote at a polling station during the parliamentary election in the Sadr city district of Baghdad, Iraq May 12, 2018.   REUTERS/Thaier Al-Sudani 

I can’t help smiling at the reaction of the fans in this picture by Zoubeir Souissi as the riot police officer charges at them. The man on left seems to be saying, “not me, honest,”  the man in the middle is running away -  “I’m out of here” - while the man on the right is just sitting there – “innocent me”. Let’s hope none of them got whacked by the policeman’s baton. 


Riot Police chase Club African fans during clashes at the Tunisian Cup final against Etoile Sportive du Sahel in Tunis, Tunisia, May 13, 2018.   REUTERS/Zoubeir Souissi

What is most appealing in Ammar Awad’s picture is the optical illusion that the man being photographed appears to be floating in the air. This illusion is created by the shadow cast on the ground in the lower part of the image. At first glance, you might think it is being cast by the man being photographed, but it is not. If you look carefully you can see that his shadow is cast behind him and the shadow in the foreground is that of the boy taking pictures.   


People take pictures of the U.S and Israeli national flags that are projected on part of the wall surrounding Jerusalem’s Old City May 14, 2018.   REUTERS/Ammar Awad

It’s hard to ignore this bold and colourful picture by Zoubeir Souissi as it jumps out at you from the page. This is a classic case of an image that can read as easily in tiny form published on a mobile device as it can if it were printed the size of a billboard.  The big red triangle directs the eye to the lone demonstrating figure.    


The shadow of a protester holding a Palestinian flag is seen during protests against the U.S. embassy move to Jerusalem, in Tunis, Tunisia, May 15, 2018.   REUTERS/Zoubeir Souissi

Portraits are some of the hardest pictures to shoot well, especially when you only have a short time to capture your subject in the street. Akintunde Akinleye’s affectionate portrait of a rat poison seller is a well-composed image of understated and muted tones and colours. A wry smile creeps across my face when I see ‘doctor’ written on his hat and the words rat, rat, and kill come into focus from the eye line of the man who’s just creeping into the edge of the frame. A lucky break too for Akintunde as the man on the edge has a most wonderful outfit of striped blue and white. Any more into the frame, he’d be a distraction from the ‘doctor’ and any less he would not be there.


A man selling rat poison sits on a stool as he waits for customers at Oiodu district in Nigeria’s commercial capital Lagos, May 3, 2018.  REUTERS/Akintunde Akinleye

Although a Week in Pictures is not so much about the top news stories but more about the pictures that have caught my eye, this week it is dominated by the clashes on the Gaza-Israeli border. This story has thrown up so many great images it’s hard not to include them. You almost choke on the fumes in Ibraheem Abu Mustafa’s picture, as tiny figures dwarfed and engulfed by the raging flames and black smoke, run in different directions in the chaos.  


Palestinian demonstrators run during a protest marking the 70th anniversary of Nekba, at the Israel-Gaza border in the southern Gaza strip, May 15, 2018.    REUTERS/Ibraheem Abu Mustafa

The curved compositional shape created by the coffins and the people standing on the edge of the mass grave make me think of a giant mouth that is going to consume the bodies of those killed in the flood. The different-sized coffins in the dark hole add to this impression, as they look like broken teeth in blackened gums. The sadness is quite overwhelming when you notice that the many are the coffins are small, holding the bodies of drowned children who will soon be swallowed by the earth.  


Coffins are seen arranged inside a mass grave during the burial of people killed when a dam burst it walls, the water flooding onto nearby homes, in Solai town near Nakuru, Kenya May 16, 2018.   REUTERS/Thomas Mukoya

To illustrate the start of Ramadan in the region, Amr Abdullah Dalsh shot this calm picture of reflection and prayer. This mood is created by wide space around the lone figure, his white robes highlighted against the black symmetrical background of the arched doorways and graceful sweep of the drapes. The high contrast of black against white is held in by the pastel colours of the brickwork and marble flooring


A member of the Bohra community prays inside the Al-Hakim bi-Amr Allah Mosque on the first day of the Muslim holy fasting month of Ramadan in Cairo, Egypt, May 17, 2018.    REUTERS/Amr Abdullah Dalsh





Sunday, 13 May 2018

A Week in Pictures Middle East & Africa May 11, 2018

Finding a new picture at an event that is visually strong but also repetitive is never easy. In Ibraheem Abu Mustafa’s powerful image, the notion of combating tear gas with sports rackets raises the bar even higher. What is also a little strange is that although this is a striking image taken in a very dangerous situation I feel uncomfortable, since it may verge on gallows humour. Do you get this sense too? See more images from the clashes here.


A Demonstrator uses a racket to return a tear gas canister fired by Israel troops during a protest where Palestinians demand the right to return to their homeland, at the Israel-Gaza border in the southern Gaza strip, May 11, 2018.   REUTERS/Ibraheem Abu Mustafa

What seemed impossible six months ago now appears to be happening - an election in July in Zimbabwe. Maybe I am reading too much into this wonderfully graphically composed image by Philimon Bulawayo, but it looks like a picture of hope. I am attracted to the shape created by the profile of the silhouetted delegate perfectly placed between the smiling face of President Emmerson Mnangagwa and the text. It looks like advice is being whispered into the president’s ear.


A delegate arrives for a meeting between Zimbabwean President Emmerson Mnangagwa and liberation war veterans in Harare, Zimbabwe, may 11, 2018.  REUTERS/Philimon Bulawayo

There is only one way to describe Ari Jala’s picture from Mosul: chilling. The eye is immediately drawn into the simple zigzag triangular design of the image, punctuated by the repeated image of an execution painted on the wall, again, and again, and again. It’s only then that you notice the neatly turned-out schoolgirl heading to her lessons. Read the story here


An Iraqi student walks past a school wall covered with drawings showing how Islamic State executed prisoners in Mosul, Iraq April 30, 2018.   REUTERS/Ari Jalal

When a detail picture is well shot it can often explain so much in a story. This is true of Thomas Mukoya’s picture of footprints in deep mud. The rippled surface of the ground is broken by footsteps that lead you from the rear of the image out into the foreground. For me, this raises a question. Is this people fleeing a natural disaster or people coming to the rescue? I have to read on to find out, and you can do so here.


Footprints are seen on wet ground as volunteers arrive for a recovery mission after a dam burst, unleashing water through nearby homes in Solio town, near Nakuru, Kenya May 10, 2018.    REUTERS/Thomas Mukoya


Often in the Middle East and Africa region there is little to celebrate in terms of good news and I resist the temptation to try to find ‘good news’ images to soften the harsh realities of the week’s file. But, I am actually an optimist and when a good news picture is filed it jumps out at me. Two such images are from Mohamad Torokman, who is more often in the thick of violent clashes. How could I resist the sheer joy in the picture of a groom being held aloft, upturned faces laughing and smiling, and the line of lights seeming to echo the bounce of the groom on the sea of hands? And likewise, how could I resist the smiling sales assistant holding up a wedding dress as if she is part of the choreography for a Swan Lake ballet? I could not, so here they are.


Palestinian groom Hejres Torokman is thrown in the air during his wedding party in Jenin in the occupied West Bank May 7, 2018.   REUTERS/Mohamad Torokman


A Palestinian saleswoman displays a wedding dress in a store in Ramallah, in the occupied West Bank May 9, 2018.   REUTERS/Mohamad Torokman  


An election in Lebanon is not easy to cover. Security is a concern and trying to get away from the standard fare of press conferences, politicians arriving or leaving buildings, (often in cars) or being mobbed by supporters in secure areas, is almost impossible. Almost impossible too is to find a generic image that can be used to explain the complexities of the story. Jamal Saidi has done well to find this simple semicircle shape of election posters supporting Hariri plastered on a Ferris wheel.


Campaign posters of Lebanese Prime Minister and candidate for parliamentary election Saad al-Hariri and his father, assassinated Prime Minister Rafik al-Hariri, hang off a Ferris Wheel in Beirut, Lebanon, may 3, 2018.   REUTERS/Jamal Saidi


For me, Raneen Sawafta’s picture of a boy drinking water from a pot is a beautiful,  simple image of daily life. I love the single direction of light on his face and the pot that leaves strong shadows across his body and in the background of the image. The flash of light on the water draws your eye right to the centre of the image. I get a sense of timeless joy seeing this boy drinking from his father’s traditionally made pot, maybe a skill that has been handed down from generation to generation.  


The son of Palestinian clay pot maker Jamal Fakhori drinks water at his father’s workshop in Jaba town near Jenin, in the occupied West bank may 1, 2018.   REUTERS/Raneen Sawafta