A week in Pictures, Middle East and Africa, October 27, 2017

I had to update this post today with Tiksa Negeri's pictures of VWs in Ethiopia as a demonstration how it can be fun to illustrate business stories with eye catching visual ideas. In short VW announced their earnings on Friday, here's the headline, Volkswagen (VOWG_p.DE) lifted its profit target for the year on Friday after cost cuts at its core autos division helped it outstrip third-quarter earnings forecast. Great financial information but a little dry to illustrate. And here one of several great pictures about VW's in Ethiopia. Reuters also illustrated this story in the tradition manner so there was choice. 

A model of a Volkswagen Beetle toy is seen inside a Volkswagen Beetle car at a garage in Addis Ababa, Ethiopia, September 8, 2017.  

It’s not often that a press conference by an oil minister will result in a great picture but Khalid al-Mousily has achieved just that. A lucky break for Khalid makes for a riot of colour: the sea of coloured microphones, the reds of the background and the red, green, white and black of the Iraqi flag on the right. Amid all this colour there is no doubt in my mind that the world is listening to what Saudi Oil Minister Khalid al-Falih has to say.

Saudi Oil Minister Khalid al-Falih speaks at the opening of the Baghdad International Exhibition, Baghdad, Iraq October 21, 2017.   REUTERS/Khalid al-Mousily

Flares, flags and fans all combine to make a great picture by Amr Abdullah Dalsh that puts me in mind of Visions of Hell by Hieronymus Bosch. The small human figures on the left seem to be competing for the ball of flame, while the giant mythical image of the bird brings the mind’s eye back to the fact that these are soccer fans cheering on their team with a passion,  and not Hell.  

Fans light flares during the CAF Champions League semi-final between Al Ahly and Etoile du Sahel at the Borg El Arab stadium.    REUTERS/Amr Dalsh

 I just have to keep coming back to try to understand why I like Baz Ratner’s picture of protestor wearing a mask so much. Is it the bizarre tilt of the head in the expressionless mask, or the riot of clashing purples, blues and reds? Maybe it’s the strong graphic shapes made by the circle of the handbag, the string of pearls or the V of the purple jacket or even the eye to camera contact of the mask with no eyes. Not sure – what do you think?  

A supporter of Kenya’s president Uhuru Kenyatta wears a mask of his face before a Jubilee Party campaign caravan rally in Nairobi, Kenya, October 23, 2017.    REUTERS/Baz Ratner

Against a background like stars in the night sky, a fighter walks past a shop front riddled with bullet holes in this perfectly framed picture by Khalil Ashawi. The bright white light bleeding in around the armed figure in a darkened room removes just about all colour to create a monochrome, stage-like feel to this quiet but menacing picture.

A Free Syrian Army fighter walks as he holds his weapon in a damaged shop in the town of Tadef,  Aleppo Province, Syria October 23, 2017.    REUTERS/Khalil Ashawi

It’s great to get some good news from Yemen and this rather haunting picture of 19-year-old Saidi by Abduljabber Zeyad is the third time we have photographed her in a year. Her story over the last year is as dark as the background in this picture, when Abduljabber photographed her earlier, looking skeletal and close to death. We have followed up on her story as she has slowly recovered, which you can see here.

Saida Ahmad Baghili, 19, who is recovering from severe malnutrition, stands in the door of her family’s hut in al-Tuhaitad district of the Red Sea province of Hodeidah, Yemen October 20, 2017.    REUTERS/Abduljabber Zeyad

Also from Yemen and by Abduljabber is this striking image of girls attending school that has been damaged by shelling. I feel a little as if am watching life going on in a nature program, where a remote camera has been set up to give the viewer a closer look at the daily life of a shy and reclusive creature. As with nature programs ,the subjects, in this case girls, seem oblivious to the fact that we can see them and that a shell has torn a hole in their school. 

Girls attend a class at their school, damaged by a recent Saudi-led air strike in the Red Sea port of Hodeidah, Yemen October 24, 2017.   REUTERS/Abduljabber Zeyad

A stark and brutal image of little Hala al-Nufi, aged 2-1/2, photographed by Bassam Khabieh, is something you cannot take your eyes off.  Her face wrinkled as if she is 70 years old, her dry tears and contorted expression share her physical pain with the viewer. Should this picture be seen? In my opinion yes , but with sensitivity and balance. The whole story can be seen here. 

Two-and-a-half year old Hala al-Nufi, who suffers from a metabolic disorder which is worsening due t the siege and food shortages in eastern Ghouta, reacts as she sits on a bed in the Saqba area, in the eastern Damascus suburb of Ghouta, Syria, October 25, 2017.

On October 26, the Kenyan election was re-run amid fears that there would be a repetition of the blood-letting seen after the election in 2007. This still might happen as the process continues (let’s hope not). I could have chosen a number of pictures from the clashes: tear gas fired by police, those killed by gunfire, or stone hurling protesters. Instead I have chosen this quiet image by Thomas Mukoya. One of the places where voting could not take place was Kibera and for the process to be complete voting as to take place here. The soldier squeezing his large frame through the small gates of a primary school that was supposed to be used as a polling station seems to sum up the constitutional struggle that is taking place. You can see the whole file, from the voting to the fighting, here.

A policeman walks through the gate at the Kibera primary school during presidential election re-run in Nairobi Kenya, October 26, 2017.

Okay and change of heart here is a picture by Thomas Mukoya that has come in just now. The water caught and frozen in mid air as flames tear through the slum properties.

People try to put a fire in properties set ablaze by rioters in Kawangware slum in Nairobi, Kenya October 27, 2017.    REUTERS/Thomas Mukoya 

I had to update this post today with Tiksa Negeri's pictures of VWs in Ethiopia as a demonstration how it can be fun to illustrate business stories with eye catching visual ideas. In short VW announced their earnings on Friday, here's the headline, Volkswagen (VOWG_p.DE) lifted its profit target for the year on Friday after cost cuts at its core autos division helped it outstrip third-quarter earnings forecast. Great financial information but a little dry to illustrate. And here one of several great pictures about VW's in Ethiopia. Reuters also illustrated this story in the tradition manner so there was choice. 

A model of a Volkswagen Beetle toy is seen inside a Volkswagen Beetle car at a garage in Addis Ababa, Ethiopia, September 8, 2017. 

Middle East and Africa Pictures of the Week August 13, 2017

This is a collection of pictures that caught my eye from the Middle East and Africa this week. I chose them for a variety of reasons -- a captured moment, something that made me pause for thought, great design , great light or even something that simply made me smile.  These are not necessarily the top news pictures of the week but may have slipped by largely unnoticed in the tsunami of news from the region.

Rival demonstrations took place as the decision was made on whether a vote of confidence in President Zuma should be a secret ballot. Hundreds took to the streets and Mike Hutchings darted between opposing rallies. Using a long lens,  Mike filed this picture to show the number of people present, a good picture in its own right. But a crop bought the cut-out caricature image of Zuma from the background, where it was ‘hidden’ by the signs saying ‘the truth will set you free’ and ‘Woodstock’, to the foreground.

Anti-Zuma protesters, civil society groups and faith communities march against President Zuma, in Cape Town, South Africa August 7, 2017.   REUTERS/Mike Hutchings

Queues of Kenyan voters snake from left to right as they wait to cast their votes in the early morning.  I love the order of the lines, where people stand with almost equal personal space between them. But what I like most is that the order breaks down and the line meanders about. A picture of ordered calm where chaos and violence is feared.

People queue outside a polling station in Nairobi Kenya waiting to cast their vote during the national election August 8, 2017.  REUTERS/Thomas Mukoya

 Showing the horror of a death during a riot is never easy. You need to show enough of the body to ensure the news is covered but not so much of the horror that it either offends viewers or removes all dignity from the victim. Thomas Mukoya’s picture of a woman reacting to a death during clashes after the Kenyan election does just that. You can almost hear the screams from her contorted face, your eye led immediately from her mouth and up from the corner of the picture along the line of the edge of the building to the slumped body on the ground. There is enough depth of field so you can see the shape of the body but not so much that the focus is on death. This picture is the reaction of the living to the sight of death.

A woman screams and gestures as she mourns the death of a protester in Mathare, In Nairobi, Kenya, August 9, 2017.   REUTERS/Thomas Mukoya

Often it’s the unexpected that catches the eye. Images from the battle for Raqqa would could be expected to show monochrome destruction and violence and we have plenty of them on the wire. Zohra Bensemra’s affectionate portrait of a YPG fighter taking a selfie in a relaxed moment is an antidote to the violence. A bright yellow hat band is almost perfectly matched in colour and tone with graffiti on the wall. The reds, greens and blues, and black and white lines of graffiti dancing like an abstract painting, but that could be because I cannot read the Arabic text. What is nicest for me in this array of colour is that the young soldier is as relaxed as if she is doing a picture of her new hat at the Royal Ascot races and not in the battle torn streets of Raqqa.

A People Protection Unit (YPG) fighter takes a selfie in the old city of Raqqa, Syria August 9, 2017. REUTERS/Zohra Bensemra

It would be easy to think this is a still from a movie. It’s not. Mohamed Torokman’s picture is perfect in its screen-like composition, red flames and black smoke highlighting the soldier, sunlight catching his face and hands as he aims his rifle. If the solder was a little to the right or left or the flames a little lower this picture would not work. All the dark green of the uniform and black smoke would kill the shape. What can’t be seen in this picture are protesters who are hurling rocks at him during clashes at the West Bank. 

An Israeli soldier walks points his weapon toward Palestinian protesters during clashes in the West Bank village of Kofr Qadom near Nablus August 11, 2017.  REUTERS/Mohamad Torokman

Sometimes you get so pent up and angry when you are trying to make a point or get yourself understood you just want to scream. I think Afolabi Sotunde’s picture captures that very moment, a simple and direct portrait but full of emotion about to burst.

Supporters of President Muhammadu Buhari rally at the Unity Fountain in support of his Administration in Abuja, Nigeria August 11, 2017.   REUTERS/Afolabi Sotunde

The strength of this image is that it is almost abstract; it could be easily missed as it takes time to understand what is going on. The fact that Zohra Bensemra has taken the visual risk to transmit a picture that is so unexpected and very different, from a war zone, can only be admired. After the dark shadow on the left the first thing you see is the pink object, a water tap, itself somewhat unexpected. Then you begin to see the running water, its shadow and the stains on the wall. Soon the image that initially looked abstract takes form. 

The shadow of an internally displaced girl who fled Raqqa is cast at a water point at a camp in Ain Issa, north of Raqqa, Syria August 12, 2017.   REUTERS/Zohra Bensemra