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Showing posts with label Bassam Khablieh. Show all posts
Showing posts with label Bassam Khablieh. Show all posts

Saturday, 25 November 2017

A Week in Pictures, Middle East & Africa November 24, 2017


Relatively late in the day on Friday Siphiwe Sebeko filed this picture of a supporter at the inauguration of Zimbabwe's new president. that I wanted to include it as an update. At first look it's a wide picture of a supporter in a crowd holding a banner that says 'Thank you Zimbabwe'. I could not resist cropping this to bring out what I really like in this picture, the sea of faces in the banner that almost matches the sea of faces in the crowd. As a foot note to my thinking; had I left it as a tighter cropped horizontal (as I wanted to) I felt the red shirt of the man on the right would have been too much of a distraction. Agree? 



Locals celebrate after the swearing in of Zimbabwe's new president Emmerson Mnangagwa in Harare, Zimbabwe, November 24, 2017.   REUTERS/Siphiwe Sibeko 

Good pictures of people waiting for something to happen are hard to shoot. People are not doing anything, just waiting. But that in itself presents an opportunity, translating a long period of quiet and calm into something visual can produce powerful pictures that ooze tension, apprehension, anticipation, hope, longing and boredom. Both Ibraheem Abu Mustafa and Suhaib Salem, in my opinion, have achieved just that.


Palestinians wait for relatives to cross into Gaza, after Rafah border crossing was opened under the control of the western-backed Palestinian Authority for the first time since 2007 in Rafah in the southern Gaza strip November 19, 2017.   REUTERS/Ibraheem Abu Mustafa


Palestinians wait for travel permits to cross into Egypt after Rafah border crossing was opened under the control of the western-backed Palestinian Authority for the first time since 2007 in Rafah in the southern Gaza strip November 19, 2017.   REUTERS/Suhaib Salem

Again a disturbing image of an injured child needs to be seen, as the story of the besieged town of Douma in Syria unfolds. It’s not the injured arm that disturbs me in Bassam Khabeih’s picture, but the sheer terror in the child’s face. That fear is accentuated by the light reflected in his eye, while his tense and open mouth fight for your immediate attention with the blood on the white table. The strong diagonals of the line of the wall and the markings on the floor draw you back in, not allowing you to look away.


A wounded child is seen lying in Douma hospital after heavy shelling in the rebel-held besieged town of Douma, eastern Ghouta in Damascus, Syria November 19, 2017.    REUTERS/Bassam Khabieh

You can almost taste the tension in Philimon Bulawayo’s picture as Robert Mugabe fails to announce his expected resignation in a live television broadcast. You don’t need a caption to tell you what the men are talking about as your eye dances around the greens, reds and blues of the bar’s lighting that create negative and positive shapes formed by the men’s profiles and their incredulous lips.


People talk as they watch television in a bar in Harare Zimbabwe as Zimbabwean President Robert Mugabe addresses the nation November 19, 2017.    REUTERS/Philimon Bulawayo

Not many know there was a stampede of people in Morocco when food aid was being distributed. Fifteen people were killed. Youssef Boudlal’s picture of grieving relatives is a haunting reminder of this easily ignored tragedy. As a viewer, I am not sure if the women are hiding from the camera or grieving, I suspect both. For me, the strength of this picture is the small boy who peering around from the back of the woman who is staring into space. His presence, like the news of the deaths at the stampede, is easily missed.


Relatives mourn the death of Lakbira Essabiry, one of the people who were killed when a stampeded broke out in the south western Moroccan town of Sidi Boulaalam as food aid was being distributed in a market, in Sidi Boulaalam, Morocco November 20, 2017.   REUTERS/Youssef Boudlal

 A bible-holding supporter of President Kenyatta screams into the air with joy, as people celebrate the news that a court had upheld his re-election. The relief on the faces of these people in Baz Ratner’s picture is so powerful that the visual noise of the yellow line, white pillars and railings don’t destroy the image. A close look reveals that the bible is open at Kings 2, Chapter 12, ‘Joash repairs the Temple’. I hope that rebuilding is the theme of the presidency after all the clashes.


Jubilee party supporters cheers after Kenya’s Supreme Court upheld the re-election of President Uhuru Kenyatta in last month’s repeat presidential vote in Nairobi, Kenya, November 20, 2017.   REUTERS/Baz Ratner

I have little secret, I love good pictures that illustrate business stories especially when they are about commodities. Mining, oil pictures from drilling to the global impact of price changes, and agriculture are particular favourites. So how could I resist Khalid al-Mousily’s symmetrical picture of a small mountain of sugar in Iraq, a man in black striding purposefully towards it. A picture with great shape that jumps out at you and can be used well on any platform, from a small screen on a mobile device or as a double-page spread in a magazine, or on an advertising hoarding in the street.  


An employee checks raw sugar at a sugar refinery in the city of Hilla, Iraq, November 21, 2017.   REUTERS/Khalid al-Mousily

Amid the euphoria of Zimbabwe it would be easy to forget the crisis in Yemen, if only for a day. But there is no respite as Khaled Abdullah’s picture brings our minds quickly back to what is going on. It’s hard to tell the age of the person with thin and fragile legs until you realise that this helpless child is so tiny that he is on a set of scales designed for weighing babies. For me, the fact that you do not see the face of this malnourished boy gives a sense of the wider issue of hunger created by conflict in Yemen, and not just one person’s story.  


A boy lies on a weighing scale at a malnutrition treatment centre in Sanaa, Yemen, November 22, 2017.   REUTERS/Khaled Abdullah 

Almost a week of rising tension in Zimbabwe ended in an explosion of joy, relief, all night parties and smiling faces after fears that the transition of power from Mugabe would be bloody proved unfounded. Hard to chose one picture from Mike Hutchings but I think the frame full of smiling faces is a winner for me. I wish I was there. Have a look at more pictures here to lift your spirits.



Zimbabweans celebrate after President Robert Mugabe resigns in Harare, Zimbabwe November 21, 2017.  REUTERS/Mike Hutchings

One might not immediately think of Libya in terms of sun, sea, sand and … motorbikes.  So it’s therefore impossible to not include Ahmed Jadallah’s simple but affectionate picture of bikers, some of whom belong to the ‘Monsters’ group, on a Libyan beach. Although the picture was taken a while ago I’ve included in this week’s round-up as it was only published this week. You can read on here.


Members of the Tripoli bikers group ride their motorbikes at the beach in Tripoli, Libya November 4, 2017.  REUTERS/Ahmed Jadallah

Monday, 21 August 2017

Middle East and Africa A Week in Pictures 20 August 2017


A quiet moment in a city under siege in Bassam Khabieh’s picture from Douma in Syria. The body language of the boy is as sad and somber as the grays of the wall behind him, the bricks on the ground left and right of the image keeping the rhythm of the composition that is built up by the position of the figures and the pillars in the wall. The only warm colour in the picture is the headdress of the man looking down at his grandson, the affection and warmth on his face slowly coming to the fore of the image.



A child sits next to his grandfather in Douma, near Damascus, Syria, August 14, 2017.    REUTERS/Bassam Khabieh

The Egyptian Cup Final between Al Masry and Al Ahly in Alexandria, was a quiet affair, not that the sport was not competitive, the winner scored in extra time, but because no fans were allowed to attended due to violence at previous fixtures. You can almost hear the ref’s whistle pierce the near silence in Amr Dalsh’s eerie picture of the floodlit pitch surrounded by empty seats.   


A general view of match action during the Egyptian Cup Final between Al Masry and Al Ahly in Alexandria, Egypt August 15, 2017.    REUTERS/Amr Abdallah Dalsh

I am not a great fan of sunset pictures or silhouettes but Zohra Bensemra's perfectly timed picture of a boy diving into a canal caught my eye this week. The body of the boy appearing to make a horizontal bridge across the canal, his fingers seem to reach out to disturb the calm of the waters before the splash we all know is going to happen. What is most intriguing for me is that this peaceful captured moment is close to the city of Raqqa where a battle rages on.  


A boy cools off in an irrigation canal on the outskirts of Raqqa, Syria, August 16, 2017.    REUTERS/Zohra Bensemra

With reports of hundreds being buried in a landslide in Sierra Leone Nigeria based photographer Afolabi Sotunde was at the scene within 24 hours. Rescue workers looking for survivors and recovering bodies. Afolabi's picture of fresh graves being dig for the victims stretch from the foreground of the picture to the horizon giving the viewer a real sense of the large numbers involved in this tragedy. The longer you look at the picture the more graves you see with grim faced workers going about their solemn business, a sad and poignant picture. 


Workers are seen digging graves at Paloko cemetery in Waterloo, Sierra Leone August 17, 2017.   REUTERS/Afolabi Sotunde

From a very large series of pictures based on recycling this week I could not resist picking out Thierry Gouegnon’s image of a woman carrying utensils made from recycled metal. The brutal vertical line of the corner of the building, almost cutting the picture in half, gives it a mirror image feeling. I love it that the woman’s foot almost touches this imaginary line; and if it did it would break the mirror-like spell. Looking at the position of the people in the frame, especially the person on the right, what also springs to mind, is a still taken on 360 VR where you can see front and back at the same time. 



A woman walks with kitchen tools made of recycled sheet metal in a recycling area in Anoumambo, Abidjan, Ivory Coast August 17, 2017.    REUTERS/Thierry Gouegnon


A simple detail picture by Afolabi Sotunde demonstrates the force with which flood waters and mud swept through homes in Pentagon, near Freetown, Sierra Leone.  As you take in the sharp contrast between the white exterior wall and debris crammed against the bars of the window, it dawns on you what little chance of survival the occupants had.



Debris is seen inside the window of a house along the valley after a flash flood at Pentagon, Regent Town, Sierra Leone August 18, 2017.   REUTERS/Afolabi Sotunde

A captured expression, no matter how old the subject, can reveal innermost thinking, which is the essence of great portrait photography.  There is little doubt in my mind what this baby is thinking in Amr Abdullah Dalsh’s picture during baby swimming lessons. This involves dunking the babe’s under the water, counter intuitive to me, but apparently it teaches them to hold their breath, enables them to sleep better and improves their flexibility.  Intrigued? If so read on here.


An Egyptian baby boy his held by his father before taking part in swimming lessons, the first of its kind, in Cairo, Egypt August 15, 2017.   REUTERS/Amr Abdulalh Dalsh