A Week in Pictures Middle East & Africa, June 15, 2018

Eid Mubarak

Prior to the World Cup kick off in Russia I assigned photographers in the MEA region to shoot pictures of street football games. I specifically asked for images only of the goal or the celebration and then I wanted a quote from the goal scorer. We had many great pictures full of aspiration and fun. A tough choice for my favourite was shot by Youssef Boudlal. The sheer joy on the scorer’s face, the dejected defenders and the ball can be seen in the ‘net’. It could be the World Cup winner. See the full set of pictures here

Adnan, 11, celebrates scoring his goal in front of his house in the old streets of Casablanca, Morocco April 28, 2018. ‘Every time I score a goal I feel like I have just realised my dream of playing with my favourite team’ he said.  REUTERS/Youssef Boudlal
  
Also, hard to ignore Baz Ratner’s eye-catching prison football match pictures from Kenya. The orange is eye-catching, the stripes in the prison uniforms are eye-catching and the way Baz has composed these fighting elements around the chalked-up score board is just wonderful. A lucky break too as he catches the moment of the man on the left looking back into the frame drawing your eye from the dizziness of the oranges and stipes to the faint letters ‘RUSSIA v SAUDI ARABIA’

Kenyan prisoners watch a mock World Cup soccer match between Russia and Saudi Arabia as part of a month-long soccer tournament involving eight prison teams at the Kamiti Maximum prison, Kenya’s largest prison facility, Kenya June 14, 2018.   REUTERS/Baz Ratner

A slightly cheeky visual segue from World Cup football to Africa is Francis Kokoroko’s quirky portrait of a journalist who worked on a story about football-related corruption. Anas is obviously keen to hide his face but not his identity and this has led to a great opportunity to shoot this portrait. It works well as Francis has kept the background both clean but toned so nothing detracts you from the noise of the golden mask.

Undercover journalist Anas Aremeyaw Anas poses for a picture during an interview in Accra, Ghana June 11, 2018.  REUTERS/Francis Kokoroko 

It’s not often I will chose an image that actually has no people in it but Ahmed Jadallah’s sublime picture from the Aramco oilfields has such a surreal feeling to it I was drawn back to look at it again and again. I love the warm tones, the sweeping curve of the road and the harsh black lines of the telegraph poles cutting through the landscape. And then it struck me: ‘Paris, Texas’. I could hear Ry Cooder sound track  in my head and then remembered an exhibition of the Wim Wenders polaroids.  Read the exclusive story here

The highway towards the Natural Gas Liquids (NGL) facility is seen at Aramco’s Shaybah oilfield in the Empty Quarter, Saudi Arabia May 22, 2018.  REUTERS/Ahmed Jadallah

Tiksa Negeri’s perfectly centered cyclist provides the focal point that his confused picture of rubble needs. It draws you into the image and then allows your eye to wander to the decorated house on the left of the tree, then across to the leaning pole and then down to the satellite dish on the far-right hand side. Once you have finished visually rushing around this picture you come back to the stonework of the destroyed building to discover beautiful master craftsmanship. I hope it gets rebuilt.     

A boy rides a bicycle past houses damaged during the Ethiopia-Eritrea war between 1998 and 2000 in Badme, which was the centre of a territorial dispute between the countries and is currently occupied by Ethiopia June 8, 2018.   REUTERS/Tiksa Negeri  

When dealing with nudity on the wire we need to be extra careful. I have no doubt that the editors who moved Siphiwe Sibeko's perfectly timed image of a dancer at the South Africa v England rugby game looked not once, or twice but probably three times with at least two colleagues, making sure we'd get no complaint from our online subscribers before moving the image out.

A dancer preforms before the start of the South Africa v England international rugby Test Match at Ellis Park Stadium in Johannesburg, South Africa June 9, 2018.   REUTERS/Siphiwe Sibeko 

A Week in Pictures Middle East & Africa April 27, 2018

First, words of congratulation to our colleagues in Asia for their Pulitzer Prize last week. Reuters won two prizes in Feature Photography and International Reporting. Adnan Abidi, Mohammad Ponir Hossain, Hannah Mckay, Cathal McNaughton, Damir Sagolj, Danish Siddiqui and Soe Zeya Tun won the prize for their work on the coverage of the Rohingya people fleeing to Bangladesh. The pictures can be seen here.

An exhausted Rohingya refugee woman touches the shore after crossing the Bangladesh-Myanmar border by boat through the Bay of Bengal, in Shah Porir Dwip, Bangladesh, September 11, 2017. REUTERS/Danish Siddiqui

A very simple picture by Essam Al-Sudani tells the story of violent amputation in Iraq. I am overwhelmed by the feeling of sadness, maybe created by the beautiful light that falls on the plastic hands and arms. I can’t help thinking that every prosthetic limb tells a tale of a ruined life. Strangely, the big clunky watch, which slightly detracts from the overall shape of the picture (imagine this picture without the watch) gives just a glimmer of hope through its ordinariness. Full story here.

Prosthetic limbs are seen at the Artificial Limb Centre in Basra, February 28, 2018.  REUTERS/Essam Al-Sudani 

I hope that Ali Hashisho’s picture warms you the way it does me. It would be easy to overlook this at first glance as the light is little harsh, there are the rear lights of a bus in the bottom right of the frame and really it needs just a little crop to take the bus out and some of the foreground – maybe? What I like about this picture is the timing of the centrally placed cyclist and the man walking in the opposite direction, his legs at full stride. I have done a crop for you to judge for yourself. What I also like is that ordinary commerce is coming back to Douma. A little explanation about the phrase ‘during a media tour’ in the caption, Ali was taken to Douma under the control of the government and would have been limited as to what he could and could not photograph.

A cyclist is seen through the entrance of a shoe shop during a media tour in Douma near Damascus, Syria, April 23, 2018.    REUTERS/Ali Hashisho 

Your eye just crashes into the centre of Suhaib Salem’s emotional picture of a boy weeping at a funeral. The body language of the covered women, the eye line of the woman on the right, the shadows on the wall, the hand coming in from the bottom right and the fingers cupped around the boys face all lead me to his closed eyes. To me the boy’s grief looks uncontrollable, I get the sense he just doesn’t want to open his eyes because if he does he will know the death of his family member is real and inescapable.  

Relatives of deaf Palestinian Tahreer Wahba who died of the wounds he sustained during a protest at the Israeli-Gaza border, mourn during his funeral in Khan Younis in the southern Gaza strip April 23, 2018.    REUTERS/Suhaib Salem

Looking at Amr Abdallah Dalsh picture I can’t help thinking of Dick Whittington and his Cat and the promise that London’s streets are paved with gold. Turned out for young Whittington that the streets were in fact dirty and poverty stricken. Looks to me that at least on the face of it old Cairo offers more promise than 14^th century London. What wonderful colours and what a great X composition in Amr’s picture. 

People sit at traditional cafes in Old Islamic Cairo, Egypt, April 21, 2018.   REUTERS/Amr Abdullah Dalsh

Steve is a hard worker and we know that because Nieri Mwangi picture shows him head down, arm muscles tensed pulling containers of water in the rain, through the busy streets, his cart clearly labelled STEVE.  You would not believe it looking at the rain and wet streets in this picture but many parts of Nairobi only have tapped water two days a week. Steve is working hard to make up the shortfall. I love the power and energy in this picture of daily life and can’t resist the fact that his Wellington boot is just an inch off the ground.

A man pulls a hard cart loaded with Jerry cans of water through the traffic in downtown Nairobi, Kenya April 19, 2018.    REUTERS/Nieri Mwangi 

A striking and thoughtful picture by Amir Cohen to illustrate the aftermath of a flash flood. A combination of quick thinking, a lucky break with lightning strikes and a well thought-out angle on the curve of the road for this time exposure work together to create this eye-catching moment. At first I did not like the chevrons and experimented with a crop but I am now of two minds. You choose.

Cars are driven as lightning strikes near a site where a group of Israeli youths were swept away by a flash flood near the Zafit river bed, south of the Dead Sea, Israel, April 26, 2018.    REUTERS/Amir Cohen 

The slightly bizarre always catches my eye so Youssef Boudlal’s picture easily finds a place in this week’s selection. I love the sense of the march of the mannequins from left to right in this strongly composed image made up of triangle after triangle, from the shapes of the building to canopies in the background and the open space on the bottom left. What I love too is the real figure who, to me, seems to be hiding in the shadows, waiting the march of the ‘undead’ headless mannequins to pass by.   

Mannequins displaying women’s clothing for sale are lined up in the street at the market in Ouled Moussa district on the outskirts of Rabat, Morocco, April 24, 2018.   REUTERS/Youssef Boudlal 

And if you think you have had a hard day at work today have a look at this powerful picture from Ibraheem Abu Mustafa, it should make you feel better.

A photojournalist runs during clashes between Israeli troops and Palestinians at a protest where Palestinians demand their right to return to their homeland at the Gaza-Israeli border in the southern Gaza strip April 27, 2018.   REUTERS/Ibraheem Abu Mustafa

A Week in Pictures, Middle East & Africa November 24, 2017

Relatively late in the day on Friday Siphiwe Sebeko filed this picture of a supporter at the inauguration of Zimbabwe's new president. that I wanted to include it as an update. At first look it's a wide picture of a supporter in a crowd holding a banner that says 'Thank you Zimbabwe'. I could not resist cropping this to bring out what I really like in this picture, the sea of faces in the banner that almost matches the sea of faces in the crowd. As a foot note to my thinking; had I left it as a tighter cropped horizontal (as I wanted to) I felt the red shirt of the man on the right would have been too much of a distraction. Agree? 

Locals celebrate after the swearing in of Zimbabwe's new president Emmerson Mnangagwa in Harare, Zimbabwe, November 24, 2017.   REUTERS/Siphiwe Sibeko 

Good pictures of people waiting for something to happen are hard to shoot. People are not doing anything, just waiting. But that in itself presents an opportunity, translating a long period of quiet and calm into something visual can produce powerful pictures that ooze tension, apprehension, anticipation, hope, longing and boredom. Both Ibraheem Abu Mustafa and Suhaib Salem, in my opinion, have achieved just that.

Palestinians wait for relatives to cross into Gaza, after Rafah border crossing was opened under the control of the western-backed Palestinian Authority for the first time since 2007 in Rafah in the southern Gaza strip November 19, 2017.   REUTERS/Ibraheem Abu Mustafa

Palestinians wait for travel permits to cross into Egypt after Rafah border crossing was opened under the control of the western-backed Palestinian Authority for the first time since 2007 in Rafah in the southern Gaza strip November 19, 2017.   REUTERS/Suhaib Salem

Again a disturbing image of an injured child needs to be seen, as the story of the besieged town of Douma in Syria unfolds. It’s not the injured arm that disturbs me in Bassam Khabeih’s picture, but the sheer terror in the child’s face. That fear is accentuated by the light reflected in his eye, while his tense and open mouth fight for your immediate attention with the blood on the white table. The strong diagonals of the line of the wall and the markings on the floor draw you back in, not allowing you to look away.

A wounded child is seen lying in Douma hospital after heavy shelling in the rebel-held besieged town of Douma, eastern Ghouta in Damascus, Syria November 19, 2017.    REUTERS/Bassam Khabieh

You can almost taste the tension in Philimon Bulawayo’s picture as Robert Mugabe fails to announce his expected resignation in a live television broadcast. You don’t need a caption to tell you what the men are talking about as your eye dances around the greens, reds and blues of the bar’s lighting that create negative and positive shapes formed by the men’s profiles and their incredulous lips.

People talk as they watch television in a bar in Harare Zimbabwe as Zimbabwean President Robert Mugabe addresses the nation November 19, 2017.    REUTERS/Philimon Bulawayo

Not many know there was a stampede of people in Morocco when food aid was being distributed. Fifteen people were killed. Youssef Boudlal’s picture of grieving relatives is a haunting reminder of this easily ignored tragedy. As a viewer, I am not sure if the women are hiding from the camera or grieving, I suspect both. For me, the strength of this picture is the small boy who peering around from the back of the woman who is staring into space. His presence, like the news of the deaths at the stampede, is easily missed.

Relatives mourn the death of Lakbira Essabiry, one of the people who were killed when a stampeded broke out in the south western Moroccan town of Sidi Boulaalam as food aid was being distributed in a market, in Sidi Boulaalam, Morocco November 20, 2017.   REUTERS/Youssef Boudlal

 A bible-holding supporter of President Kenyatta screams into the air with joy, as people celebrate the news that a court had upheld his re-election. The relief on the faces of these people in Baz Ratner’s picture is so powerful that the visual noise of the yellow line, white pillars and railings don’t destroy the image. A close look reveals that the bible is open at Kings 2, Chapter 12, ‘Joash repairs the Temple’. I hope that rebuilding is the theme of the presidency after all the clashes.

Jubilee party supporters cheers after Kenya’s Supreme Court upheld the re-election of President Uhuru Kenyatta in last month’s repeat presidential vote in Nairobi, Kenya, November 20, 2017.   REUTERS/Baz Ratner

I have little secret, I love good pictures that illustrate business stories especially when they are about commodities. Mining, oil pictures from drilling to the global impact of price changes, and agriculture are particular favourites. So how could I resist Khalid al-Mousily’s symmetrical picture of a small mountain of sugar in Iraq, a man in black striding purposefully towards it. A picture with great shape that jumps out at you and can be used well on any platform, from a small screen on a mobile device or as a double-page spread in a magazine, or on an advertising hoarding in the street.  

An employee checks raw sugar at a sugar refinery in the city of Hilla, Iraq, November 21, 2017.   REUTERS/Khalid al-Mousily

Amid the euphoria of Zimbabwe it would be easy to forget the crisis in Yemen, if only for a day. But there is no respite as Khaled Abdullah’s picture brings our minds quickly back to what is going on. It’s hard to tell the age of the person with thin and fragile legs until you realise that this helpless child is so tiny that he is on a set of scales designed for weighing babies. For me, the fact that you do not see the face of this malnourished boy gives a sense of the wider issue of hunger created by conflict in Yemen, and not just one person’s story.  

A boy lies on a weighing scale at a malnutrition treatment centre in Sanaa, Yemen, November 22, 2017.   REUTERS/Khaled Abdullah 

Almost a week of rising tension in Zimbabwe ended in an explosion of joy, relief, all night parties and smiling faces after fears that the transition of power from Mugabe would be bloody proved unfounded. Hard to chose one picture from Mike Hutchings but I think the frame full of smiling faces is a winner for me. I wish I was there. Have a look at more pictures here to lift your spirits.

Zimbabweans celebrate after President Robert Mugabe resigns in Harare, Zimbabwe November 21, 2017.  REUTERS/Mike Hutchings

One might not immediately think of Libya in terms of sun, sea, sand and … motorbikes.  So it’s therefore impossible to not include Ahmed Jadallah’s simple but affectionate picture of bikers, some of whom belong to the ‘Monsters’ group, on a Libyan beach. Although the picture was taken a while ago I’ve included in this week’s round-up as it was only published this week. You can read on here.

Members of the Tripoli bikers group ride their motorbikes at the beach in Tripoli, Libya November 4, 2017.  REUTERS/Ahmed Jadallah